Official Guide to West Hollywood

Janice Lee and Anna Joy Springer discuss and sign their respective titles, Daughter: A Novel and The Vicious Relic, Love: A Fabulist Memoir


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Janice Lee and Anna Joy Springer discuss and sign their respective titles, Daughter: A Novel and The Vicious Relic, Love: A Fabulist Memoir

Date:
August 20, 2012 7:00 pm
Venue:
Book Soup
Phone:
310.659.3110
Address:
8818 Sunset Blvd, West Hollywood, CA, 90069, United States

About Janice Lee’s Daughter:
“In Daughter, Janice Lee floods the body of a book with the body of a body, all its hybrid, constantly damaging and mending cells. From field to field among the pages we are subject to a brain-damaged, collide-o-scopic file of some internet-age Acker’d Frankenstein having lived to see god die; and yet still must go on walking in the deity’s corpse, inside of which the billion bodies in such image have built our huts of shit and shit inside them. ‘The sea is a mysterious force, but there is no sea in the desert,’ she writes, prodding at the hole left in the fabric on the earth between the homes: another phantom in a field of phantoms who themselves have again died. The result is a meticulous and terrifying resurrection, a glitchy screamtext passed in dire silence to the reader the way blood passes from mother into child.” (Blake Butler, author of There is No Year)

“Janice Lee is a genius.” (Eileen Myles, author of Inferno)
About Anna Joy Springer’s The Vicious Relic, Love: A Fabulist Memoir:
Anna Joy Springer was lead singer and songwriter for the influential punk band Blatz that came out of The 924 Gilman Street Project and Lookout! Records, alongside bands like The Yeastie Girlz and Green Day. She later sang with The Gr’ups and Cypher in the Snow, and toured with Sister Spit, a raucous all-woman group of writers headed by Michelle Tea. The Vicious Red Relic, Love, re-enacts Springer’s relationship with [Gil], a sometimes endearing, sometimes frightening addict and cult survivor who did not disclose to Springer that she’d tested positive for HIV. Brilliantly conceived as a training manual, survival guide and time machine, the book returns to 1990s San Francisco and deftly weaves feminism, deviance, punk rock and Sumerian literature into a cauldron of post-Reagan/Bush-era neoliberalism and AIDs grief.

For more information visit www.booksoup.com



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